Works
Works grouped by their primary use — teapots, mugs & vessels, sculptural, and vertical forms.
The same works, reorganised by form and gesture — organic, geometric, figurative, experimental.
About
Behzad Amini is an Iranian Canadian self-taught artist and ceramicist whose practice bridges art, craftsmanship, and engineering. Drawing from a background in engineering and a lifelong passion for art, his work transforms functional everyday objects into sculptural forms that exist between art and utility.
Working primarily with ceramics, Behzad is interested in pushing the material to its limits and exploring the edges of what can be achieved by hand. Each piece is unique, shaped through experimentation, intuition, and a willingness to embrace unpredictability. His approach is guided by curiosity, technical ingenuity, and a deep respect for the process.
Beyond ceramics, Behzads hands-on practice extends into oil painting and woodworking, reflecting an ongoing fascination with materials and compositions. His experiences during the Iranian Revolution and his later immigration to Canada have deeply informed his resilience and inventive approach to risk-taking and problem-solving. Unafraid of failure and uninterested in rigid notions of perfection, he has developed ways of manipulating clay that challenge conventional expectations of the medium.
My practice begins at the intersection of utility and gesture. A teapot must pour — but it can also stand, lean, reflect, resist. The forms I make often push against the legibility of their function, asking what an object is, what it does, and what it might mean to hold it.
I work in stoneware and think of the kiln as a collaborator. Glaze chemistry, thermal shock, and fire all contribute decisions I cannot fully control — and that partnership is where the work becomes alive. A piece that comes out of the kiln changed is not a failure; it is a conversation.
Persian craft traditions inform my understanding of decoration and form — the idea that an object can carry cultural memory without illustration, that weight and proportion can be a kind of language. I am interested in what objects inherit and what they resist.
Get in touch
For enquiries about works, exhibition opportunities, or collaborations — please reach out.